At the Opera House
The Marriage of Figaro at the Chicago Lyric Opera! First we went to the little in-house supper bistro. Everything imaginable was covered in roccoco velvet, and an elevator man attended us on our way. Beautifully plated little dinners at fancy little tables.
Then many stairs to climb.
We got settled and perused our programs. The soprano singing the Countess was ill and it turned out the new singer was someone the Composer had met before. For a quiet man, he does seem to know everyone.
Figaro is long, and Daisy fell asleep at 11 o'clock, but woke up in the cab afterwards to ask what the scenery was in the last act. She regretted missing the moonlit garden.
On the way home, the question arose: what role would you choose to sing? Bella called the Countess, but Daisy picked Cherubino. "She sings such a beautiful song to the Countess, and she gets to sing the beautiful part over again."
Yes, she does.







































